Theda Bara. Dorothy Lamour. Betty Grable. Jean Harlow. Vivien Leigh. Greta Garbo. Elizabeth Taylor. Jayne Mansfield. Twiggy. Farrah Fawcett. And, of course, the magnificent Marilyn Monroe.
They came from different eras, from 1910 until the 1960’s. They were beautiful, alluring, and represented the ‘ultimate woman.’ Pin-up girls were posters that represented every man’s dream of the perfect woman! These pin-ups graced the lockers of high school boys, calendars, and the American soldiers of World War II’s bunk rooms. Far from home, the G.I.’s treasured pin-up girl posters; they gave the soldiers something beautiful and sexy to see instead of their all-male comrades, not to mention the misery and graphic violence of war. Army Air Corps pilots, who risked their lives every day, developed ‘nose art’ that was beautifully painted upon the outside cockpit of their fighter, bomber or cargo airlift planes. In addition to stunning depictions of fierce, snarling animals like tigers, eagles and sharks, pin-up girls frequently graced the noses of U.S. aircraft. And in 1941, test pilot Chuck Yeager first broke the sound barrier in a jet he decorated with a gorgeous pin-up of his wife, naming the plane ‘Glamorous Glynnis.’
In 1947, the Army Air Corps officially became the United States Air Force. Nose art, especially that of vintage pin-up girls, continued to grace the outside cock pits of the best and fastest aircraft in the world. But times change, as does ‘political correctness.’ Thirty years later, in the beginnings of awareness of the sexual harassment and exploitation of women, nose art was officially banned by the USAF, and this pin-up art vanished forever. It’s only seen now in museums depicting the lives of servicemen in ages gone by.
Several sources cite the top three pin-up girls as Betty Grable posing provocatively in a one-piece bathing suit, Marilyn Monroe’s revealing skirt ‘blow up’ from The Seven Year Itch, and Farrah Fawcett as she appeared in TV’s ‘Charlie’s Angels.’ But it doesn’t end with the beautiful and sensual pin-up girls; the past decade has given us pin-up men as well! Handsome heartthrobs Johnny Depp, Brad Pitt and Fabio adorn the walls of many a teenage girl’s bedroom. Also popular in modern pin-up art are rock singers Ozzy Osbourne, Zakk Wylde, Steven Tyler, and the enormously popular cross-over group, the Trans-Siberian Orchestra.
Pin-up art reached its heyday during World War II, and art experts say that it will never quite be the same again. During this time, every female star in Hollywood had aspirations of becoming a popular pin-up art subject; this was part of their formula to successful movie careers. Today you can find vintage pin-ups on the Internet that are of fine quality and evoke memories of days long gone.
By: Martin Castin
Article Directory: http://www.articledashboard.com Martin Castin is a pin-up afficianado. He has walls full of this glamorous art, from the past and present. You can find pin-up stories at Pinup Ferret, and buy a piece of this beautiful genre at the Pinup Auctions.
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5 Responses for "The Hollywood Pin-up Era"
[...] THe Hollywood Pin-up Era [...]
[...] The 1954 Senate Subcommittee on Juvenile Delinquency headed by Estes Kefauver (the era’s Tipper Gore) attacked comic books and pornography, trying to linking them with juvenile delinquency. Klaw was subpoenaed and appeared before the Subcommittee on national television, pleading the Fifth to every question. While Klaw’s bondage photographs did not involve nudity, his business was tarred by the connection with pornographic, sleazy pinups. Confronting social, political, and legal pressings, Klaw retired from the trade. While Klaw attempted to burn all his negatives (succeeding with about 80%), his sister Paula preserved some of the better images, which are available today in collections of vintage pinups. [...]
[...] The 1954 Senate Subcommittee on Juvenile Delinquency headed by Estes Kefauver (the era’s Tipper Gore) attacked comic books and pornography, trying to linking them with juvenile delinquency. Klaw was subpoenaed and appeared in front of the Subcommittee on national TV, pleading the Fifth to every question. Though Klaw’s bondage photographs did not involve nudity, his entire business was tarred by the association with pornographic, sleazy pinups. Facing social, political, and legal pressures, Klaw retired from the trade. While Klaw attempted to burn all his negatives (succeeding with about 80%), his sister Paula preserved some of the better images, which are available today in collections of vintage pinups. [...]
[...] The 1954 Senate Subcommittee on Juvenile Delinquency headed by Estes Kefauver (the era’s Tipper Gore) attacked comic books and pornography, trying to linking them with juvenile delinquency. Klaw was subpoenaed and appeared before the Subcommittee on national television, pleading the Fifth to every question. Though Klaw’s bondage photographs did not involve nudity, his entire business was tarred by the association with pornographic, sleazy pinups. Confronting social, political, and legal pressings, Klaw retired from the trade. While Klaw attempted to burn all his negatives (succeeding with about 80%), his sister Paula preserved some of the better images, which are available today in collections of vintage pinups. [...]
[...] The 1954 Senate Subcommittee on Juvenile Delinquency directed by Estes Kefauver attacked comic books and pornography, associating them with juvenile delinquency. Klaw was subpoenaed and appeared in front of the Subcommittee on national TV, pleading the Fifth to every question. Though Klaw’s bondage photographs did not involve nudity, his entire business was tarred by the association with pornographic, sleazy pinups. Facing social, political, and legal pressures, Klaw retired from the trade. While Klaw attempted to burn all his negatives (succeeding with about 80%), his sister Paula preserved some of the better images, which are available today in collections of vintage pinups. [...]
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